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Share Your Stories (Keith Bond)

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Fine Art Views Daily Newsletter
    
    

 
   Fine Art Views Daily Newsletter
   ISSUE #410 - (Sponsored by FineArtStudioOnline)

 Straight Talk about Art, Marketing,
Inspiration and Fine Living
 


Share Your Stories
by
Keith Bond

TODAY:

Every work of art has a story. Not all stories are comical like these two. Some are more serious. Some are profound. Some are simple. But all stories add meaning to the dialogue. The stories enrich and deepen the connections made. Share your stories. Allow your collectors the opportunity to connect with your artwork. . . .




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Tuesday, July 07, 2009
San Antonio, Texas



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Share Your Stories
by Keith Bond

Dear {{FirstName}},

This Post is by Keith Bond, Regular contributing writer for FineArtViews.  Find out how you can be a guest author.

Several years ago I commented to Ron Hicks about a painting of his that I loved.  The painting depicted an old bicycle on a quaint village street in Europe.  He graciously thanked me and then proceeded to tell me the story behind the painting.  He said that he was painting this scene from life and while he was partway through the painting, a lady got on the bike and rode away.  Fortunately, he had gotten enough information to complete the painting.  I know that I have forgotten many of the details of the story, but I remember that I thoroughly enjoyed hearing him share it at the time.   

I learned a great lesson from him that day about sharing my own story with others.  People enjoy art more when they connect with it on more than one level.  Although I loved the painting before hearing the story, I loved it even more afterwards.  I suddenly became involved or engaged.  I could imagine being there and watching the subject being ridden away.  I could imagine his frustration.  I'm sure he wanted to chase her down and ask her to leave her bike there.  In my mind, I became a spectator.   Because of his story, I connected with the art and artist on a new level.  

Later that evening, I overheard him speaking with someone else about another painting.  He had a fascinating story for that painting as well.  Another great lesson learned:  every work of art has a story.  Share that story with others.   

Your collectors will be more endeared to your work when you share your stories with them.    

This principle was reinforced to me early in my career.  I had a large painting of a grove of aspens entitled Catherine's Playground.  Some collectors were considering the piece.  They loved it, but weren't quite sure if they should buy it or not.  They asked me about the title, so my wife and I told them the story.   

The painting was named for the daughter of our dear, dear friends.  Catherine was a curious 5 year old, whose inquisitiveness would often get her into trouble.  She wanted to learn about everything and so she would get into everything.   

We had our friends over for dinner and games one evening.  Our children loved playing with their children.  All evening long they were running around doing what young kids do while we adults visited in the kitchen.   

After our friends left, my wife noticed something yellow on the sink faucet.  Later she found more yellow on the door handle, the carpet, the wall, and many other places.  Someone (we later learned that it was Catherine) had touched my most recent wet painting and tried to clean the paint off her fingers by wiping it everywhere.  I examined the painting and found finger prints which swirled around and around and darted here and there.  My wife was quite upset, but I just took a rag with clean mineral spirits and began to clean the paint from around the house (yes, it all came clean).   

The next morning our friends called.  They were nervous and apologetic, offering to pay "$20 a month for the rest of their lives" to pay off the painting that their daughter ruined.  I assured them that it was no big deal.  I paint impressionistically enough that the areas she touched didn't hurt the painting.  I was able to easily hide the finger prints.  I actually left many of the less noticeable finger prints as they were.  They added character to the painting. 

After my wife and I finished telling the story to the collectors, they had to have the painting.  They had made a connection with the painting that went far beyond the subject.  The artwork originally meant something to them.  They loved it.  It spoke to them.  But the story magnified the meaning.  Suddenly, the painting meant much more.  They may have bought the painting anyways.  But having heard the story, they purchased much more than just the painting.  They purchased the story.  They purchased a connection with a curious 5 year old girl.   

Every work of art has a story.  Not all stories are comical like these two.  Some are more serious.  Some are profound. Some are simple.  But all stories add meaning to the dialogue.  The stories enrich and deepen the connections made.   Share your stories.   Allow your collectors the opportunity to connect with your artwork. 

Sincerely,

Keith Bond 

PS  Many people argue that a work of art should speak for itself.  I agree completely.  The artwork can and should engage viewers without needing to resort to an explanation.  However, we are talking about connecting with the collectors.  We are talking about having conversations and building relationships.  Sharing things about yourself and your art make the work more meaningful and enrich the lives of those who collect your work.  They want to know about you and your work.  These stories make them feel like an adopted sibling.  You have brought them into your family.  You are sharing something more intimate with them.  You are giving them the opportunity to share in the experiences.  They become spectators.  They become fans.  They become friends.


Editor's Note: We all love stories! As you focus on your online marketing, I suggest 2 good ways to share the stories of your paintings. One: add the story as a comment to each painting posted on your website. Two: send out an email newsletter on a regular basis. Feature one painting and offer the story about the painting - simple! Your collectors will look forward to receiving your newsletter and reading the story about each painting you feature!
Both suggestions are as easy as pie (OK, in my mind, easier) if you use a FineArtStudioOnline.com website account. Click here to give it a try and see for yourself!


 
Related Posts:

Behind the Scenes

Art Marketing is Conversations

Cultivating Collectors Face to Face

Tell the Whole Story

Artists: Lead Your Collector Clan

Building Relationships with Your Collectors

Enthusiasm Sells: A Tale from the Night of Artists

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Learn More about Keith Bond at: 
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Keith Bond's Blog:
http://keithbond.com/blog

This article originally appeared at the following URL:


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I'll Know it When I See It (Clint Watson), Revisited

Sharon Weaver Wrote:

As you point out, art should be fun. So when we market our art, it is our job to make it fun. Perhaps that is what attracted buyers to the 100 Paintings a Day for $100 campaign that you talked about in another newsletter. The buyers got to look through the paintings every day and pick the one painting that they wanted to buy. Also another newsletter mentioned getting a working relationship with a B&B and being the resident artist. Both are fun things to do. Right now I am thinking of an unconventional fun way to market my art. 

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7/7/2009 2:18:21 PM

Debbie Turner Chavers wrote:

Visit Debbie Turner Chavers 's website

Thanks Keith,
I try to tell a little about my inspiration for painting most of the time. At times, it is good for me to remember the story behind the original concept. It is easy to record the story for some of my art and other pieces like my abstracts are painted as a form of relaxation. Not quiet so intense and hard to define the subtle reason for the creation:)other than the joy of painting.


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7/7/2009 4:25:23 PM

Kate Dardine wrote:

Visit Kate Dardine 's website

I couldn't agree more with Keith's blog entry today. A personal story can make a big difference when someone is considering purchasing a painting. Not all stories have to be an actual event - they can also be about what the artist was feeling, thinking, doing when he/she created the painting - that is why I keep an art journal and write after every painting session - it is amazing what insights into the painting process come out when you write every day. Having written about the painting helps me to talk about it when I am face to face with someone who wants to know more.



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7/7/2009 7:26:04 PM

Forrest Long wrote:

Visit Forrest Long 's website

A well known Atlantic Canadian artist, Tom Forrestall makes notes on the back of his paintings, comments about the painting and what he was capturing in it. I was once in a gallery and viewed some of his work before it was hung and read what he had to say about each painting. It added so much to the painting. Now when I finish a painting and frame it I write the story of the painting on the back. Whoever buys it will have some lasting information.

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